Every verdict here comes from a finished playthrough. No day-one takes, no review codes returned in 48 hours, no scores given to be safe. Just one player, one controller, one honest paragraph.
A linear story that earns every emotional swing it takes. Two performances here — one mocap, one voice — are doing work nobody is going to forget for a decade. It's the rare game that gets better the longer you sit with the credits.
“I haven't stopped thinking about the cabin scene in three weeks. Not even when I tried.” — Mira K., Lisbon
Honest takes from finished playthroughs.
A patient, beautiful open-world RPG where almost every quest has a sad ending — and almost every sad ending has a kindness inside it. The combat is fine. The writing is generational.
A survival sim that finally remembers it’s also a world. Bring a notebook — the map won’t help you, but the people you meet will. Wide, generous, and a little buggy in the corners.
A combat-first ruin crawl that respects your reflexes and your imagination at the same time. Boss design is the best we’ve seen this generation, full stop. New high-water mark for the genre.
Builder-meets-survival with a brutal economy and a soft heart. The opening tutorial is a slog; once you’re past it, hard to put down. Patient players get a great game; impatient ones, a frustrating one.
A tiny walking sim about a postwoman in a flooded country. Almost no gameplay, all heart. We did not expect to cry on a Tuesday morning, but here we are. Play it in one sitting. Bring a tea.
A cyberpunk detective story with one of the best first chapters of the year and one of the most rushed endings. Worth playing for the middle hours alone — just don’t expect the ending to land.
A driving-survival hybrid that captures the loneliness of a long road better than any game since Death Stranding. The radio system alone deserves a design award. We logged 22 hours and want forty more.
A loving but exhausting remaster of a 2018 cult classic. The new lighting is gorgeous; the original’s pacing problems are louder than ever. For die-hards only — everyone else should start with the sequel.
A two-person studio out of Krakow built one of the best small games of 2026. A tight loop, a hauntingly small map, and a soundtrack you’ll quote at parties. The kind of indie that makes you remember why you started playing games.
Scores are never the point of the review, but if you only have time to skim, here’s roughly what each band means.
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